ABOUT FIMA 2026

Fiestravaganza Music Academy – Berlin’s Premier Summer Program

Founded in 2023 as Berlin’s first major international piano summer academy, the Fiestravaganza International Music Academy (FIMA) has since evolved into an interfaculty programme, drawing on the diverse expertise of leading artists and educators across multiple musical disciplines. The programme combines individual masterclasses and coaching by internationally acclaimed professors and emerging ensembles, group workshops, and extensive performance opportunities, including solo, chamber, and orchestral concerts held in the prestigious halls of the University of the Arts Berlin. A distinctive feature of FIMA is its exclusive access to  Bechstein’s Vintage Keyboard Collection, allowing participants to work on both modern and historic instruments.

FIMA 2026 marks an important new chapter for the academy. Now expanded to fully integrate string players (violin, viola, and cello), a defining highlight of the programme is the opportunity to perform a piano or string concerto movement with the Camerata Fiestravaganza (enhanced participation only). The orchestra comprises over 50 carefully selected musicians from diverse cultural backgrounds, all of whom are students or alumni of Berlin’s leading music institutions: the Universität der Künste Berlin, Hochschule für Musik Hanns Eisler Berlin, and the Barenboim-Said Akademie. In response to exceptional demand, FIMA 2026 will feature three concerto concerts, offering expanded orchestral performance opportunities for participating soloists.

Beyond music-making, FIMA places strong emphasis on cultural exchange and community. A new collaboration with the Goethe-Institute introduces a curated cultural programme that invites participants to engage with Berlin’s history, arts, and cultural life while fostering meaningful social connections. In addition, a renewed partnership with KPM Hotel & Residences, a boutique hotel and Marriott Bonvoy member, enables double-room accommodation (participant with parent or partner) to be included directly in the participation fee, encouraging participants to reside together and strengthening the academy’s sense of community.

FIMA remains committed to providing a unique interdisciplinary platform for collaborative artistic growth, nurturing versatile, open-minded musicians prepared for the artistic and professional demands of today’s musical landscape.

MAIN EVENTS TIMELINE​

July 22
Opening Gala

When: 7pm

Where: UdK Berlin Concert Hall

What: Selected FIMA participants perform concerto movements alongside Shaun Choo and the Camerata Fiestravaganza.

July 23-30
Solo Masterclasses & Chamber Music Coaching

Where: UdK Berlin Chamber Hall & Choir Hall

What: FIMA faculty will conduct individual lessons and lead chamber music coaching sessions.

July 26
Intermezzo Gala

When: 7pm

Where: UdK Berlin Concert Hall

What: Selected FIMA participants perform concerto movements alongside the Camerata Fiestravaganza, led by Evan-Alexis Christ.

July 27
Internal Class Concert

When: 7pm

Where: UdK Berlin Joseph-Joachim Hall

What: FIMA participants present various solo pieces worked on in the masterclasses at this internal recital.

July 28
Chamber Music Concert

When: 7pm

Where: UdK Berlin Joseph-Joachim Hall

What: Selected FIMA participants perform various chamber music works together with the Fiestravaganza Ensemble.

July 29
Solo Recital

When: 7pm

Where: UdK Berlin Joseph-Joachim Hall

What: Selected FIMA participants present various pieces at this solo recital.

July 31
Closing Gala

When: 7pm

Where: UdK Berlin Concert Hall

What: Selected FIMA participants perform concerto movements alongside the Camerata Fiestravaganza, led by Evan-Alexis Christ.

August 1st
Concert @ KPM Courtyard

When: 7pm

Where: KPM Courtyard

What: Selected FIMA participants perform various solo & chamber works at a special event organised by the Royal Porcelain Manufactory Berlin (KPM).

MASTERCLASSES & CHAMBER MUSIC COACHING BY

Gregor Sigl Icon

Gregor Sigl
VIOLIN & VIOLA

Professor for Chamber Music, Violin and Viola at the University of the Arts Berlin | Member of the Artemis Quartet

Gregor Sigl is a violinist and violist with an international career as a soloist, chamber musician, and guest concertmaster.

He began his musical training at an early age and studied at the Mozarteum Salzburg and the Eastman School of Music in Rochester, followed by advanced studies with leading European violinists.

Since the late 1990s, Sigl has been regularly invited as guest concertmaster and musical director by renowned orchestras across Europe and Asia, working with many of the world’s most distinguished conductors.

He is a professor at the Berlin University of the Arts and at the Queen Elisabeth Music Chapel in Brussels.

As a founding member of the Artemis Quartet, he performs worldwide at major concert halls and international festivals and has recorded extensively for Erato.
FULL BIOGRAPHY

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Aoi Saito
VIOLIN

Principal Second Violinist of the Camerata Fiestravaganza | Member of the Fiestravaganza Ensemble

Tokyo-born Aoi Saito is a graduate of Tokyo University of the Arts, where she studied with Profs. Asako Urushihara, Natsumi Tamai, and Masafumi Hori. She now pursues her master’s at Berlin University of the Arts under Prof. Latica Honda-Rosenberg and attended masterclasses with Miriam Fried, Leonidas Kavakos, and Mihaela Martin.

Aoi has won awards at the Michael Hill International Violin Competition 2023, 1st prize at Berlin’s Violinwettbewerb der Ibolyka-Gyarfas-Stiftung, and the Villars Music Academy’s Balik Prize. She has performed with the Geidai Philharmonia and Tokyo Philharmonic Orchestras, plays a G. B. Guadagnini violin, and since 2024 is a Villa Musica Rheinland-Pfalz scholar.

FULL BIOGRAPHY

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Karolina Pawul
VIOLA

Principal Violist of the Camerata Fiestravaganza | Member of the Fiestravaganza Ensemble

Karolina Pawul (b. 1998, Warsaw) began violin at 7 and switched to viola at 16, quickly winning first prizes at major Polish competitions. As a soloist, she performed with the China Philharmonic Orchestra in Beijing’s Forbidden City (2016) and with the Baden-Baden Philharmonic (2022).

Since 2017, she has studied with Prof. Hartmut Rohde at the University of the Arts in Berlin, where she is principal violist of the university orchestra. From 2018 to 2020, she was principal viola of the European Union Youth Orchestra, performing at venues like the Concertgebouw and Royal Albert Hall. She is a member of Chamber Philharmonic Metamorphosen Berlin and, from March 2024, holds a temporary contract with the Dresden Philharmonic.

FULL BIOGRAPHY

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Oliwia Meiser
CELLO

Principal Cellist of the Camerata Fiestravaganza | Member of the Fiestravaganza Ensemble

Oliwia Meiser, a Polish cellist based in Berlin, studies with Prof. Wolfgang Emanuel Schmidt at the Hochschule für Musik Franz Liszt Weimar and earned her bachelor’s with honors at the Universität der Künste Berlin. A member of the Pirastro Young Artist Family and an Akademist of the Rundfunk-Sinfonieorchester Berlin, she has studied with renowned cellists including Gary Hoffman, Arto Noras, and Troels Svane. She was a member of the LGT Young Soloists (2017–2021), contributing to Sony-RCA recordings, and is an alumna of Morningside Music Bridge.

A prizewinner at the International Janigro (2016) and Tonali Cello (2018) Competitions, she has performed at the Elbphilharmonie, Berliner Philharmonie, and Musikverein Vienna. Oliwia is a founder of the Musica Libera Ensemble and an orchestra coordinator for the Fiestravaganza International Music Academy. She plays a Paolo Castello cello, generously loaned by a private sponsor.

FULL BIOGRAPHY

CONDUCTING WORKSHOP WITH

Evan-Alexis Christ Icon

Evan-Alexis Christ
CONDUCTOR

World-Renowned Conductor of Opera & Symphonic Works | Resident Conductor of the Camerata Fiestravaganza

Evan-Alexis Christ is an American conductor of Greek descent, internationally recognized for his work in opera, symphonic repertoire, and innovative concert programming.

Born in Los Angeles and raised in Las Vegas, he studied mathematics and composition at Harvard University and conducting at the Leipzig Conservatory of Music.

He has worked extensively with leading orchestras and opera houses in Germany and abroad and has appeared at major international festivals. His operatic repertoire includes more than sixty productions, ranging from Mozart to Wagner and Strauss.

From 2008 to 2018, Christ served as Music Director of the Brandenburg State Opera in Cottbus, where he significantly expanded the orchestra’s artistic profile and international presence.

In addition to his conducting career, he is deeply committed to education and regularly leads masterclasses and projects with young musicians in international academies.
FULL BIOGRAPHY

CHAMBER MUSIC PERFORMANCE WITH MENTORS FROM THE

FIESTRAVAGANZA ENSEMBLE

STRING CONCERTO PERFORMANCE WITH THE​

CAMERATA FIESTRAVAGANZA

Conducted by Evan-Alexis Christ

ABOUT CAMERATA FIESTRAVAGANZA

Camerata Fiestravaganza celebrates the creation of a new chamber orchestra, with over 50 personally-selected talented musicians coming together from diverse cultures and ethnicities, the majority of whom are current students from the three major Universities of music in Berlin Universität der Künste, Hochschule für Musik Hanns Eisler and Barenboim-Said Akademie.

Thanks to a grant in 2022 from Germany’s Federal Ministry for Media and Culture as part of NEUSTART KULTUR, the orchestra’s debut concert took place at the great hall of the UdK Berlin for a full house (under reduced seating capacity due to Covid) of nearly 650 attendees. Camerata Fiestravaganza is the resident orchestra of the Fiestravaganza International Music Academy. Every summer, the orchestra performs a marathon of piano concertos, featuring young soloists from all over the world.

LEARN MORE

CONCERTS AT THE UNIVERSITY OF THE ARTS BERLIN

UDK CONCERT HALL

ABOUT THE UDK CONCERT HALL

With its glass-enclosed foyer and crisp, clear lines, the UdK Concert Hall is considered an outstanding example of the Berlin architectural style of the 1950’s. The building, designed by architect Paul Gotthilf Reinhold Baumgarten in 1954, was home to the Berlin Philharmonic Orchestra under the direction of Herbert von Karajan in the 1960s. It was classified as a historical monument in 1995.

Today, the UdK Concert Hall is one of the showplaces of Berlin’s cultural life. With its 1,255 seating capacity, the UdK Berlin's Faculty of Music holds many of their major events here, such as festivals, symphonic concerts, competitions and exams.

MORE INFO

UDK JOSEPH-JOACHIM HALL

ABOUT THE JOSEPH-JOACHIM HALL

The concert hall is named after composer and conductor Joseph Joachim, who founded the Berliner Musikhochschule (Berlin Academy of Music), one of the predecessor institutions of today’s UdK Berlin.

With its tasteful, modern furnishings, it is located in the prestigious building of the old Joachimstaler Gymnasium, right next to Spichernstraße subway station. The UdK Berlin uses this hall for concerts, lecture evenings, symposia, competitions, master classes and examinations.

The hall offers space for 392 guests and is also easily accessible for wheelchair users. There are 352 seats in rows and a further 40 in alcoves.

MORE INFO

MASTERCLASSES & PRACTICE FACILITIES AT

UDK CHAMBER HALL

ABOUT UDK CHAMBER HALL

The Chamber Hall of the University of the Arts Berlin is one of the institution’s most distinguished performance spaces, renowned for its warm acoustics and intimate salon-style atmosphere. Located in the historic building of Berlin’s former music academy, the hall offers an elegant setting for chamber music and solo performances, fostering a close connection between performers and audience.

With seating for up to 99 guests, the Kammermusiksaal is specifically designed for chamber music, lecture recitals, and curated concert formats. The venue is equipped with two Steinway Model B grand pianos and a harpsichord, making it particularly well suited for a wide range of classical repertoire. Regularly used by UdK Berlin for concerts, masterclasses, and artistic presentations, the Kammermusiksaal provides an ideal environment for refined musical exchange within Europe’s largest art university.
MORE INFO

LA RAISON DE LA MUSIQUE

ABOUT LA RAISON DE LA MUSIQUE

La Raison de la musique is a music studio founded in July 2017 to provide accessible piano practice facilities. Conveniently located near the UdK Berlin, they provide a peaceful and purpose-built environment for practice, equipped with a fully-automated booking system.

Eight studios are equipped with high-quality grand pianos, all regularly tuned and maintained. The facility offers a variety of rooms of different sizes to accommodate diverse needs.

MORE INFO

CULTURAL ACTIVITIES ORGANISED BY

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ABOUT GOETHE INSTITUT BERLIN

Our new collaboration with the Goethe-Institut brings exciting opportunities for participants to engage with Berlin's culture beyond music. This partnership offers participants a specially curated cultural program designed to foster social connections and deepen understanding of Berlin’s history and arts during FIMA. Example activities include picnics at iconic local sites, quiz evenings at the Goethe-Institut, and attendance at open-air concerts, enriching the FIMA experience by blending artistic growth with cultural immersion. FIMA participants will also receive exclusive discount codes for online and in-person German language courses.

Goethe-Institut Berlin is located in a historic building in the central district of Mitte. This neighbourhood is a cultural gem that will delight you with its impressive monuments and historic sights. Here you can experience the political heart of Germany, the imposing Reichstag building, or the world-famous Brandenburg Gate up close. From the viewing platform of the Berlin TV Tower, you can enjoy a breathtaking panoramic view of the capital city. Not far from the Goethe-Institut is Museum Island, a UNESCO World Heritage Site. Here you will find important art collections that will transport you to another world.
VISIT WEBSITE

INCLUDES DELUXE ACCOMMODATION AT

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ABOUT KPM HOTEL & RESIDENCES

One important aspect of organizing FIMA is ensuring that all participants feel safe and comfortable throughout their stay – this naturally extends to accompanying parents as well. For this reason, we have partnered with KPM Hotel and Residences, a luxurious boutique hotel under the Marriott Bonvoy brand.

Accommodation is included in the participation fee and consists of a private double room per participant, intended either for single occupancy or for shared use with one accompanying parent. Family rooms accommodating up to three adults are available upon request for an additional fee.

The KPM Hotel & Residences combines a maximum of comfort and coziness with a clear, individual design signature. Opened in September 2019, it prides itself on its geographical location. Located directly at the northern entrance to the Great Tiergarten, nestled between the building ensemble of the Königliche Porzellan-Manufaktur Berlin and the Great Tiergarten, numerous Berlin hotspots are within walking distance. The S- Bahn “Tiergarten” stops a few meters from the hotel and allows you to immerse yourself quickly and stress-free in Berlin city life.

Their 126 light-flooded rooms are private retreats. Rooms that impress with their clear design, the high quality of the materials and technical details such as smart TV and tablet or the fully equipped kitchenette which is available on request.

VISIT WEBSITE

* Participation in the chamber music performance is by opt-in interest and subject to the outcome of the preliminary video audition.

REGISTRATIONS ARE NOW OPEN!

Standard Registration Deadline: 31 May 2026
• A €100 non-refundable registration fee is required at the time of registration for all applicants.
• First-time applicants will be asked to pay the full participation fee only upon passing the preliminary video audition. Applicants will be notified within three working days of their audition result. Payment must be completed within two weeks of the result notification to secure the place.
• Returning FIMA participants may bypass the audition and secure their place by paying the full participation fee upon registration, subject to availability.

Late Registration Period: 1-22 June 2026
• Applications submitted during this period incur an additional €100 late registration administrative fee.
• Late registrations are accepted subject to remaining availability.

Before applying, please read the FAQ below carefully for details on prerequisites and the cancellation policy. Thank you.

FREQUENTLY ASKED QUESTIONS

FIMA is open to classically trained musicians of all ages. Applicants are assessed based on their artistic level at their stage of development, not by age or by the difficulty of repertoire alone.

Both younger talents and more advanced music students are welcome to apply. Younger applicants with less experience are encouraged, as they often benefit especially from the academy’s intensive performance and collaborative activities.

Interested applicants may submit their registration at any time from now until 31 May 2026. Late applications may be granted until 22 June 2026reviewed on a case-by-case basis and subject to an additional €100 administrative fee.

Yes, but don’t worry! Videos are simply used to assess your current level in order to verify that you will benefit from the full extent of the program offered. Videos do not have to be professionally recorded. Recordings made via mobile phone are welcome!

First time applicants may submit their application now without upfront participation fee payment (€100 registration fee is still mandatory). Upon reviewing the online video submission, they will be notified within three working days of the results of their application. If successful, applicants will then transfer the participation fee in full via a link provided to the online payment portal. 

Returning participants will pay the full participation fee on the last page of the application form. Their registration is immediately completed without any further steps.

No, participants may choose to play a different set of pieces during the lessons and may present the same or different pieces to each faculty member. Just bear in mind that participants should prepare an adequate number of pieces in order for the intense lessons offered to be most effective.

Pieces can be played with the score. However, do note that only pieces which have been memorised will be considered for the solo concert performance.

We understand that some participants may choose to start a new concerto movement specially for the academy, or choose to play a concerto movement that is currently a work-in-progress. In either case, participants may submit a recording of their preferred concerto played with the score, a recording of a different concerto, or an additional solo work that demonstrates the student’s skill. Participants are still encouraged to submit a polished recording of their chosen concerto at the soonest possible date.

Please note that for the actual concerto performance, participants must play from memory.

The faculty members will collectively decide who plays what when at the solo concerts, based on their impression working on the pieces during the lessons. Rest assured, we will do our best to ensure every participant has at least one chance to perform their piece(s) on stage.

Participants opting in for the chamber music performance are encouraged to include a chamber music recording with their solo audition submission. Applicants who are unable to do so will still be considered, with selection based on their solo instrumental performance.

The current allocated time per lesson is between 45 minutes and 1 hour, subject to the number of participants and faculty member in question. Even though we will try our best to uphold these timings, we seek your understanding and flexibility in the case of a large intake of participants.

Definitely! Not only are they allowed to watch other participants, but they are highly encouraged to do so. After all, one can definitely learn much from listening to others! 

Parents and teachers of participants will receive a guest pass at the start of the academy, which allows them full access to the lessons, workshops and concerts free of charge. All other external observers will be subject to a small entry fee.

Twelve brand-new practice rooms, many equipped with grand pianos, will be available throughout the academy and are directly located at the masterclass venue. Additionally, participants may also practice in the eight grand piano studios at La Raison de la musique. Rest assured, each participant will be allocated several hours of practice daily. A schedule will be created whereby participants can choose their preferred timeslot(s).  

One important aspect of organising an event is to ensure everyone feels safe and comfortable. This applies not only to the participants, but their parents and teachers who accompany them. Hence, we sought out a partner hotel – KPM Hotel and Residences, a 5-star equivalent boutique hotel situated in one of Berlin’s most modern and cleanest districts with direct access to the main subway line. It is also within walking distance to the University of the Arts Berlin, where the concerts and string activities will take place.

All FIMA 2026 participation packages include 13 nights of accommodation at KPM Hotel & Residences, from 20 July to 2 August 2026.

Each participant is allocated one standard private room, which may be occupied by the participant alone or together with one accompanying person (e.g. a parent or partner). All standard rooms are furnished with one king-size bed, complimentary minibar and Wi-Fi, coffee-making facilities, and access to the hotel’s sauna and gym.

A Deluxe Family Room upgrade (larger room size, accommodating up to three adults with an additional lounge bed), as well as additional standard rooms, may be reserved as add-ons. Payment is made together with the participation fee.

Breakfast is available at €25 per person per day and can be booked directly with the hotel. Alternatively, a variety of cafés and bakeries—including Steinecke bakery and Einstein Coffee – are located nearby for lighter breakfast options.

Please note:

  • Rooms are pre-allocated for the full duration stated above.
  • If your arrival or departure dates differ, please inform us in advance.
  • No discounts or partial refunds will be provided for shortened stays. We appreciate your understanding.

To foster a strong sense of community and ensure a safe, cohesive academy environment, participants are expected to stay at the designated academy hotel together with fellow participants and accompanying guests.

Participants who are officially residing in Berlin or Brandenburg and do not require accommodation must indicate this at the point of registration. In this case, a €1,000 discount may be applied to the participation fee, subject to approval.

Valid proof of residence (e.g. Meldebescheinigung or Aufenthaltstitel) is required.

No other exceptions or reductions will be granted.

Unfortunately not. Given that participants are free to explore the city outside of their individual lesson time and scheduled workshops/rehearsals/concerts, we are unable to accommodate everyone’s preferred dietary requirements or provide exclusive transportation.

However, at the end of the academy, an afterparty will be organised, which includes dinner and drinks on us to celebrate your successful completion of FIMA 2026!

We do not currently offer scholarships or grants, as we aim to keep our program fees as accessible as possible. However, in certain cases, we may offer a discount on participation fees. If you are from a developing country, demonstrate exceptional talent, and are facing financial hardship, you are welcome to contact us. Discounts are considered on a case-by-case basis.

Please note that we may require proof of eligibility, such as a family low-income statement, student financial aid documentation, or other relevant verification to support your request.

If you need to cancel due to illness, a visa rejection, or another serious and unforeseen emergency, you can request a refund. Please send us relevant proof, like a medical certificate or an official letter.
  • Refunds apply to the participation fee only and exclude the registration fee.
  • Cancellations received by 30 April 2026: 80% refund of the participation fee.
  • Cancellations received by 31 May 2026: 50% refund of the participation fee.
  • Cancellations from 01 June 2026: no refund

Registrations made during the late registration period (1–22 June 2026) are non-refundable.

Participation fees are non-refundable in all other cases, such as scheduling conflicts, change of plans, or participation in other events.
 
If FIMA cannot take place due to force majeure (such as a pandemic or official restrictions), a full refund will be granted.
 
All cancellation requests must be submitted in writing. Refunds cannot be granted for early departure, late arrival, or non-attendance.

Gregor Sigl

Violinist and violist Gregor Sigl received early instruction in music from his mother starting at the age of five and continued his musical education at the Albert Greiner Music School in Augsburg.

When only ten years old, he enrolled at the renowned Mozarteum Salzburg, in the class of Prof. Jürgen Geise. In the following years, Sigl won First and Second Prizes at Germany’s nationwide music competition “Jugend Musiziert”, receiving a commendation in the violin solo and string quartet categories.

In 1991 he was awarded a scholarship to study with American violinist Lynn Blakeslee at the Eastman School of Music in Rochester, New York.

In 1993 Sigl was accepted to the international masterclass of Latvian violinist Philippe Hirshhorn at the Utrecht Conservatory.

From 1997 to 1999 he completed his studies with violinists Arjen Beintema, Viktor Liberman, Herman Krebbers, Alexander Kerr and Charles André Linale.

Ever since 1997 Sigl has regularly been invited as a guest-concertmaster and musical director with orchestras such as the City of Birmingham Symphony Orchestra, the Mahler Chamber Orchestra, the Orchestra Ensemble Kanazawa, the Camerata Salzburg and the Swedish Radio Symphony Orchestra. He has collaborated with conductors such as Sir Neville Marriner, Franz Welser-Möst, Sir Roger Norrington, Vassily Sinaisky, Sakari Oramo, Leonidas Kavakos, Daniel Harding, Zoltan Kocsis, Adam Fischer, Peter Eötvös, Trevor Pinnock, Michael Gielen, Sir Charles Mackerras, and Nikolaus Harnoncourt.

Sigl holds professorships at the University of Fine Arts (Universität der Künste) in Berlin, as well as the Queen Elisabeth Music Chapel (Chapelle Musicale Reine Elisabeth) in Brussels.

As a member of the Berlin-based Artemis Quartet, Sigl performs at all the most important concert venues in Europe, the US, Japan, South America, Australia and at numerous international music festivals. The Artemis Quartet records exclusively for Erato.

Evan-Alexis Christ

Born in Los Angeles into a family of musicians with Greek roots, Evan-Alexis Christ spent his childhood in Las Vegas. He played oboe and piano at an early age and studied mathematics and composition at Harvard University and conducting at the Leipzig Conservatory of Music.

Since 2020 he has worked regularly with the Sofia National Opera in Bulgaria. There he led the Bulgarian Premiere of Richard Strauss’ Elektra, and Ariadne auf Naxos as well as premieres of Richard Wagner’s complete Ring cycle and Lohengrin, in addition to numerous repertory performances. In October 2023 he made his Asian Debut, conducting Elektra at the Daegu Opera (South Korea) and was invited back for a new production of Der Rosenkavalier in 2024. In 2023/2024 he was the Chief Conductor of the Sarajevo Philharmonic for its 100th anniversary season. Joining prominent guest artists such as Riccardo Muti and Zubin Mehta, he conducted several programs throughout the year. Since 2022 he has been a regular guest conductor in Germany with the Nürnberger Symphoniker, Neue Philharmonie-Westfalen, Nordwestdeutsche Philharmonie, as well as with the Orquestra Clássica da Madeira in Portugal. Passionate about education, he has served as Resident Conductor of the annual Fiestravaganza International Music Academy in Berlin since 2023. Its orchestra, composed of some of the finest students from Berlin, collaborates with young soloists from around the world. Additionally, he led a master class on the opera Le Nozze di Figaro for the conducting students of the Berlin University of the Arts (UdK) in December 2025.

He has worked extensively with German orchestras and opera houses, including the Deutsches Symphonie-Orchester Berlin, Frankfurt Radio Symphony Orchestra, NDR Radiophilharmonie, SWR Symphonieorchester, MDR Sinfonie-Orchester, WDR-Funkhausorchester, Bremer Philharmoniker, Deutsche Oper Berlin, Komische Oper Berlin, Staatstheater Hannover, Theater Bonn, Hessisches Staatstheater Wiesbaden, Aalto-Theater Essen and the Nationaltheater Mannheim. Internationally he has collaborated on return engagements with the Zagreb Philharmonic, Israel Symphony Orchestra Rishon LeZion, Jerusalem Symphony Orchestra, RTV Slovenia Symphony Orchestra, Sinfonieorchester St. Gallen and the Orchestre Philharmonique du Luxembourg. He made his debut at the Salzburg Festival in the summer of 2011, conducting Salvatore Sciarrino’s opera Macbeth with the Klangforum Wien. In 2018, he conducted the closing concert of the Ultraschall Berlin: Festival for New Music.

Evan-Alexis Christ has gained recognition for his innovative concert programs. His cycles of the complete Mahler and Beethoven symphonies and Wagner’s complete Ring cycle have been met with critical acclaim. He has conducted 70 world premiere performances and numerous film-music, midnight, educational, flash-mob and crossover programs. In addition, he has conducted more than 60 opera productions, including all of the standard Mozart operas and numerous German, Italian and French repertoire.

Evan-Alexis Christ was Music Director of the Brandenburg State Opera in Cottbus from 2008 to 2018, making him at the time one of the youngest music directors in Germany. The orchestra made several recordings and undertook international tours for the first time in their 100-year history. In 2011 the orchestra won the publishers prize (Boosey and Hawkes, Peters, Breitkopf, etc.) for the best concert program of all German orchestras. In 2010 the citizens of the city of Cottbus voted Christ “Cottbuser of the Year.” In the regular subscription series, audience attendance rose from 70 to 95 percent capacity. From 2009 to 2018, the orchestra premiered a new work in every subscription concert and collaborated regularly with the contemporary music ensembles Court-circuit (Paris) and ensemble mosaik (Berlin). The high quality of the orchestra’s artistic work was recognized and supported by numerous generous grants (Ernst-von-Siemens Foundation, Berlin Academy of the Arts, German “Excellent Orchestra Landscape” National Foundation and Impuls Neue Musik).

After a brief stint in 2003 as vocal coach and pianist at the Portland Opera (USA), he was First Kapellmeister and Associate Music Director at the Würzburg Opera between 2003 and 2005. From 2005 to 2008, he served as First Kapellmeister at the Wuppertal Opera.

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