Since its launch as the first major piano summer academy in Berlin back in 2023, over 40 international young pianists have benefitted from the “Fiestravaganza International Music Academy” (FIMA). Participants have the privilege of showcasing their talents through numerous performances, including the esteemed opportunity to perform a movement of a piano concerto with orchestra. In addition, participants receive masterclasses and workshops conducted by renowned instructors on both modern and vintage instruments. A distinctive highlight of FIMA is the exclusive access to Bechstein’s extensive Vintage Keyboard Instrument collection, providing participants with a unique opportunity to delve into musical history and craftsmanship.
FIMA’s collaboration with the University of the Arts Berlin offers participants a unique opportunity to perform in the majestic halls of Europe’s largest art institution. This partnership exposes young musicians to large audiences, while all concerts feature top-quality Bechstein D282 pianos, sponsored by C. Bechstein Berlin, ensuring a premium performance experience.
FIMA continues to evolve and expand its offerings for young musicians. Building on its successful piano program, FIMA 2025 introduces an exciting new opportunity for talented young string players. This addition further cements FIMA’s position as a premier summer academy for aspiring musicians in Berlin. String participants will benefit from:
When: 7pm
Where: UdK Berlin Concert Hall
What: Selected returning participants of FIMA perform piano concertos alongside Shaun Choo and the Camerata Fiestravaganza.
Where: Bechstein Concert Hall and Vintage Keyboard Instrument Collection
What: FIMA 2025 faculty will conduct individual lessons and lead workshops.
When: 7pm
Where: TBA
What: FIMA 2025 string participants perform various chamber music works alongside mentors and piano peers.
When: 7pm
Where: UdK Berlin Joseph-Joachim Hall
What: FIMA 2025 participants present various classical works in this recital.
When: 7pm
Where: UdK Berlin Joseph-Joachim Hall
What: Selected FIMA 2025 participants perform piano concertos with the Camerata Fiestravaganza, led by Evan-Alexis Christ.
Because we believe that the activities offered at FIMA can benefit all classically-trained string students, participants will be evaluated based on their skill alone, regardless of age. Hence, both budding young talents and more established string players are welcome to join. Particularly young, talented but inexperienced string students are even encouraged, as they will benefit the most from the opportunities offered.
Interested applicants may submit their registration at any time from now until one month before the academy begins. Late applications may be granted and will be reviewed on a case-by-case basis.
No, participants may choose to play a different set of pieces during the lessons and may present the same or different pieces to different mentors (if applicable). Just bear in mind that participants should prepare an adequate number of pieces in order for the intense lessons offered to be most effective.
Pieces can be played with the score. However, do note that only pieces which have been memorised will be considered for the solo concert performance.
The mentors will collectively decide who plays what at the solo concert, based on their impression working on the pieces during the lessons.
The current allocated time per lesson is between 45 minutes and 1 hour, subject to the number of participants and faculty member in question. Even though we will try our best to uphold these timings, we seek your understanding and flexibility in the case of a large intake of participants.
Definitely! Not only are they allowed to watch other participants, but they are highly encouraged to do so. After all, one can definitely learn much from listening to others!
Parents and teachers of participants will receive a guest pass at the start of the academy, which allows them full access to the lessons, workshops and concerts free of charge. All other external observers will be subject to a small entry fee.
Twelve brand-new practice rooms, many equipped with grand pianos, will be available throughout the academy and are directly located at the masterclass venue. Additionally, participants may also practice in the eight grand piano studios at La Raison de la musique. Rest assured, each participant will be allocated several hours of practice daily. A schedule will be created whereby participants can choose their preferred timeslot(s).
One important aspect of organising an event is to ensure everyone feels safe and comfortable. This applies not only to the participants, but their parents and teachers who accompany them. Hence, we sought out a partner hotel – KPM Hotel and Residences, a 5-star equivalent boutique hotel situated in one of Berlin’s most modern and cleanest districts with direct access to the main subway line. It is also within walking distance to the University of the Arts Berlin, where the concerts will take place.
Participants can book accommodation directly through us at a special rate, with no pre-payment required. Just select the respective accommodation offer on the application form and we will follow-up with the rest. Alternatively, participants may of course book their own accommodation.
Unfortunately not. Given that participants are free to explore the city outside of their individual lesson time and scheduled workshops/rehearsals/concerts, we are unable to accommodate everyone’s preferred dietary requirements or provide exclusive transportation.
However, to further promote the cohesiveness of the class and encourage mingling, we may organise social activities on certain free evenings for participants and their accompanying parents/teachers.
Multiple international award-winning British violinist Louisa Staples was born in 2000 and is currently studying at the Hochschule für Musik Hanns Eisler with Professor Antje Weithaas.
She has performed as soloist in many of the world’s most prestigious concert venues including Carnegie Hall, Berlin Philharmonie, Royal Festival Hall, Concertgebouw Amsterdam, L’Auditorium de Radio France, Concert Hall of the Forbidden City, Nikolaisaal Potsdam, Wigmore Hall, and the Konzerthaus Berlin.
Louisa is a major prize winner in competitions including the Long-Thibaud- Crespin International Competition, Louis Spohr International Violin Competition and the Carl Flesch International Competition, where she was awarded a total of four prizes including the Orchestra’s Choice Award. In 2021 she was a finalist in the prestigious Premio Paganini International Violin Competition in Genoa.
Louisa is the first violinist of the Viatores Quartet, a young string quartet based in Berlin who recently won the first prize and the prize of the Freunde Junger Musiker at the 2024 Mendelssohn-Bartholy Competition.
Recent concert highlights include a recital in New York’s Carnegie Hall, appearing as soloist in the Grand Hall of the Liszt Academy in Budapest, L’Auditorium de Radio France and St.Martin-in-the-fields in London and invitations to festivals including the Sommers Musicaux de Gstaad, Schleswig-Holstein Festival, Festival Mecklenburg-Vorpommern and the Hamburg International Chamber Music Festival, in addition to numerous solo recitals across Europe.
Louisa has undertaken masterclasses with eminent musicians including Donald Weilerstein, Philippe Graffin, Zakhar Bron, Rainer Schmidt, György Pauk and Robert Levin and performed with orchestras including the City of London Sinfonia, Savaria Symphony Orchestra, London International Orchestra, Orchestre National des Pays de la Loire and the Orion Orchestra.
She has featured on numerous live radio broadcasts on channels such as BBC Radio 3, Medici TV, RBB Kulturadio, Deutschlandfunk, Classic FM and France Musique and since 2019 is a member of Villa Musica Schloss Engers, as part of a special prize from the Louis Spohr International Violin Competition. She has performed in many Villa Musica projects alongside renowned artists including Christian Tetzlaff and Guy Braunstein and have given numerous solo recitals in Schloss Engers.
She is joint Artistic Director of the Alderney Chamber Music Festival- an annual summer music festival which she founded with her brother, Samuel Staples, which celebrates and brings together some of the world’s most promising young musicians for a series of summer concerts.
Aged eight, Louisa was awarded a place at the prestigious Yehudi Menuhin School where she was a student of Professor Natasha Boyarsky.
Louisa is currently a pursuing her Masters degree at the Hochschule für Musik „Hanns Eisler“ in Berlin, where she holds a bachelor degree and is a student of Professor Antje Weithaas.
Louisa is a scholarship holder of the Deutsche Stiftung Musikleben and performs on the „ex- Michel Schwalbe“ Guadagnini, made in Piacenza in 1744, generously loaned by the German Instrument Fund.
Born and raised in Tokyo, Aoi Saito is a graduate of the Tokyo University of the Arts, where she studied with Prof. Asako Urushihara, Prof. Natsumi Tamai, Prof. Masafumi Hori and is currently pursuing her master’s degree at the Berlin University of the Arts under Prof. Latica Honda-Rosenberg. She has participated masterclasses among others, Miriam Fried, Leonidas Kavakos, Mihaela Martin.
She has been awarded at numerous competitions and festivals including the Michael Hill International Violin Competition 2023 in New Zealand, 1st prize at Violinwettbewerb der Ibolyka-Gyarfas-Stiftung in Berlin and recently Balik Prize from the Villars Music Academy. Aoi has performed with the orchestras such as the Geidai Philharmonia Orchestra and Tokyo Philharmonic Orchestra and performed at many festivals including Miyazaki International Music Festival and La Folle Journee in Japan.
As an enthusiastic chamber musician, she has been invited to Seiji Ozawa International Academy Switzerland, Zermatt Music Festival Academy, Villars Music Academy, Chamber Lab Montecastelli. Aoi is currently playing a violin by G. B. Guadagnini from the Berlin University of the Arts.
Since 2024, Aoi is a scholar of the Villa Musica Rheinland-Pfalz Foundation.
Viola player Karolina Pawul, born in Warsaw in 1998, received her first violin lessons at the age of 7. After some competition successes, she began playing the viola at the age of 16. She immediately won first prizes at the National Viola and Double Bass Competition (2014), III. Meeting of young viola players in Skierniewice, National Competition of Stringed Instruments for Youth (2015), 19th International Competition of Stringed Instruments in the Name of Bohdan Warchal (2015), l. Viola review on behalf of Tadeusz Gonet and National Viola Competition on behalf of Dominik Rutkowski (2016).
As a soloist, Karolina performed with the China Philharmonic Orchestra in the Forbidden City in Beijing at the Morningside Music Bridge Competition in 2016, where she also received lessons from Wang Shaowu, Teng Li, Steve Tenenbom, Emlyn Stam, Atar Arad, Sheng Li and Roberto Diaz . She had further solo appearances in the Polish Radio Studio, in the Warsaw Philharmonic, with the Sinfonietta Cracovia, in the Krzysztof Penderecki European Center for Music and as part of the rbb program “The Graduates” in Berlin. In 2022 she played as a soloist with the Baden-Baden Philharmonic.
Since the winter semester of 2017/18, Karolina has been studying with Prof. Hartmut Rohde at the University of the Arts in Berlin. She receives chamber music lessons in various ensembles (string trio, string quartet, piano quartet) from Prof. Eckart Runge, among others. Since 2019 she has been principal violist of the Berlin University of the Arts Orchestra.
From 2018 to 2020 Karolina was principal viola of the European Union Youth Orchestra. Concerts have taken her to Amsterdam (Concertgebouw), Berlin (Konzerthaus), London (Royal Albert Hall), St. Petersburg (Mariinski Theater), Dubai, Canada, Cuba and the Hamburg Elbphilharmonie, among others. She played under conductors such as Manfred Honeck, Gianandrea Noseda, Stephane Denève, Wassili Petrenko and Valery Gergiev. Karolina has been a member of the Chamber Philharmonic Metamorphosen Berlin under the direction of Wolfgang Emanuel Schmidt since 2022.
From 2014 to 2017 Karolina was a scholarship holder of the Krajowy Fundusz narzecz Dzieci, from 2018 to 2020 of the German Academic Exchange Service (DAAD) and she has been a scholarship holder of the Paul Hindemith Society in Berlin since 2018. From March 2024 she has a temporary contract at the Dresden Philharmonic.
Oliwia Meiser, a Polish cellist based in Berlin, is a versatile and internationally active musician. She is studying with Prof. Wolfgang Emanuel Schmidt at the Hochschule für Musik Franz Liszt Weimar and completed her bachelor’s degree with honors at the Universität der Künste Berlin. She is a member of the Pirastro Young Artist Family and an Akademist of the Rundfunk-Sinfonieorchester Berlin.
Oliwia has had the privilege of studying under renowned pedagogues such as Gary Hoffman, Arto Noras, Troels Svane, Wen-Sinn Yang, Konstantin Heidrich, Dirk Mommertz, Jens-Peter Maintz, Eberhard Feltz, Frans Helmerson, Natalia Kurzac-Kotula, Jacob Shaw, and the Artemis Quartet. From 2017 to 2021, she was a member of the internationally acclaimed string orchestra LGT Young Soloists, contributing to Sony-RCA albums “Nordic Dream” and “Souvenir.” She is an alumna of Morningside Music Bridge.
She has received scholarships from organizations such as Musethica e.V., Yehudi Menuhin Live Music Now Berlin e.V., PE-Förderungen e.V., and the Friedrich-Naumann- Stiftung für die Freiheit, which recognize her artistic achievements and social engagement in promoting classical music. Additional scholarships were awarded by the Deutscher Akademischer Austauschdienst and the Ad Infinitum Foundation. Oliwia is one of the founders of the Musica Libera Ensemble of the Naumann Foundation and works as an orchestra coordinator for the Fiestravaganza International Music Academy in Berlin. She is actively involved in the Tonalisten Society and collaborates closely with Tonali gGmbH in Hamburg.
Oliwia has been honored with numerous awards for her talent, including first prizes at the International Janigro Competition 2016 in Poreč and the Tonali Cello Competition 2018. She has also received recognition as a chamber musician with prizes at the Alice- Samter Chamber Music Competition and the Mendelssohn-Bartholdy Competition of German Universities. She won the Artist-in-Residence Award at the Szczecin Classic Festival 2021 and was a semifinalist at the Deutscher Musikwettbewerb 2021 and the Robert-Schumann Chamber Music Competition 2022.
She has performed at prestigious festivals worldwide and appeared as a soloist in renowned concert halls such as the Elbphilharmonie Hamburg, the Berliner Philharmonie, and the Musikverein Vienna. She has collaborated as a soloist with various orchestras, including the Silesian Philharmonic and the Slovakian String Orchestra.
With her outstanding Italian instrument by Paolo Castello, kindly loaned by a private sponsor, Oliwia’s performances are marked by historical and artistic depth. She has participated in various festivals and masterclasses, including Villars Institute Music Academy (Berlin Philharmonic), IMS Prussia Cove, and Kronberg Academy, and is a frequent guest with ensembles such as Eroica Berlin and Camerata Fiestravaganza.
Oliwia also has the privilege of serving as a substitute with the Deutsches Symphonie- Orchester Berlin and the orchestra of the Komische Oper.