Since its launch as the first major piano summer academy in Berlin back in 2023, over 40 international young pianists have benefitted from the “Fiestravaganza International Music Academy” (FIMA). Participants have the privilege of showcasing their talents through numerous performances, including the esteemed opportunity to perform a movement of a piano concerto with orchestra. In addition, participants receive masterclasses and workshops conducted by renowned instructors on both modern and vintage instruments. A distinctive highlight of FIMA is the exclusive access to Bechstein’s extensive Vintage Keyboard Instrument collection, providing participants with a unique opportunity to delve into musical history and craftsmanship.
FIMA’s collaboration with the University of the Arts Berlin offers participants a unique opportunity to perform in the majestic halls of Europe’s largest art institution. This partnership exposes young musicians to large audiences, while all concerts feature top-quality Bechstein D282 pianos, sponsored by C. Bechstein Berlin, ensuring a premium performance experience.
FIMA continues to evolve and expand its offerings for young musicians. Piano participants will benefit from:
When: 7pm
Where: UdK Berlin Concert Hall
What: Selected returning participants of FIMA perform piano concertos alongside Shaun Choo and the Camerata Fiestravaganza.
Where: Bechstein Concert Hall and Vintage Keyboard Instrument Collection
What: FIMA 2025 faculty will conduct individual lessons and lead workshops.
When: 7pm
Where: TBA
What: FIMA 2025 string participants perform various chamber music works alongside mentors and piano peers.
When: 7pm
Where: UdK Berlin Joseph-Joachim Hall
What: FIMA 2025 participants present various classical works in this recital.
When: 7pm
Where: UdK Berlin Joseph-Joachim Hall
What: Selected FIMA 2025 participants perform piano concertos with the Camerata Fiestravaganza, led by Evan-Alexis Christ.
In this workshop, participants will be transported back in time as they explore the rich history of the piano. Led by professor Blondeel, they will be introduced to Clavichords from the Baroque Era, Fortepianos from Mozart’s time and even a Pleyel and other instruments from the early romantic period. The varying mechanisms and developments of the vintage pianos will be both explained and demonstrated.
Professor Pohl is the author of the 400-page book Piano Methodology, published by Edition Peters in 2022, and the creator of Digital Piano Methodology, an innovative online platform designed to enhance pianists’ practice and preparation.
This workshop offers an introduction to effective daily piano practice, focusing on strategies that truly work. Participants will gain a deeper awareness of their approach to the instrument, exploring how practice not only refines technique but also fosters self-discovery, helping them better understand their own thoughts and emotions through music.
A group masterclass led by members of two rising star ensembles, the Viatores Quartet and the Fiestravaganza Ensemble. They will coach selected string and piano participants, focusing on key elements of ensemble playing, from effective communication to seamless coordination, ensuring a cohesive and dynamic musical collaboration.
Because we believe that the activities offered at FIMA can benefit all classically-trained piano students, participants will be evaluated based on their skill alone, regardless of age. Hence, both budding young talents and more established pianists are welcome to join. Particularly young, talented but inexperienced piano students are even encouraged, as they will benefit the most from the opportunities offered.
Interested applicants may submit their registration at any time from now until one month before the academy begins. Late applications may be granted and will be reviewed on a case-by-case basis.
No, participants may choose to play a different set of pieces during the lessons and may present the same or different pieces to each faculty member. Just bear in mind that participants should prepare an adequate number of pieces in order for the intense lessons offered to be most effective.
Pieces can be played with the score. However, do note that only pieces which have been memorised will be considered for the solo concert performance.
We understand that some participants may choose to start a new concerto movement specially for the academy, or choose to play a concerto movement that is currently a work-in-progress. In either case, participants may submit a recording of their preferred concerto played with the score, a recording of a different concerto, or an additional solo work that demonstrates the student’s skill. Participants are still encouraged to submit a polished recording of their chosen concerto at the soonest possible date.
Please note that for the actual concerto performance, participants must play from memory.
The faculty members will collectively decide who plays what at the solo concert, based on their impression working on the pieces during the lessons.
The current allocated time per lesson is between 45 minutes and 1 hour, subject to the number of participants and faculty member in question. Even though we will try our best to uphold these timings, we seek your understanding and flexibility in the case of a large intake of participants.
Definitely! Not only are they allowed to watch other participants, but they are highly encouraged to do so. After all, one can definitely learn much from listening to others!
Parents and teachers of participants will receive a guest pass at the start of the academy, which allows them full access to the lessons, workshops and concerts free of charge. All other external observers will be subject to a small entry fee.
Twelve brand-new practice rooms, many equipped with grand pianos, will be available throughout the academy and are directly located at the masterclass venue. Additionally, participants may also practice in the eight grand piano studios at La Raison de la musique. Rest assured, each participant will be allocated several hours of practice daily. A schedule will be created whereby participants can choose their preferred timeslot(s).
One important aspect of organising an event is to ensure everyone feels safe and comfortable. This applies not only to the participants, but their parents and teachers who accompany them. Hence, we sought out a partner hotel – KPM Hotel and Residences, a 5-star equivalent boutique hotel situated in one of Berlin’s most modern and cleanest districts with direct access to the main subway line. It is also within walking distance to the University of the Arts Berlin, where the concerts will take place.
Participants can book accommodation directly through us at a special rate, with no pre-payment required. Just select the respective accommodation offer on the application form and we will follow-up with the rest. Alternatively, participants may of course book their own accommodation.
Unfortunately not. Given that participants are free to explore the city outside of their individual lesson time and scheduled workshops/rehearsals/concerts, we are unable to accommodate everyone’s preferred dietary requirements or provide exclusive transportation.
However, to further promote the cohesiveness of the class and encourage mingling, we may organise social activities on certain free evenings for participants and their accompanying parents/teachers.